Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts

Sunday, May 27, 2012

Art comparison

My admittedly first thought when I saw the poster for "The Robot" was actually of Bradbury's novel "Fahrenheit", but the poster for THX was a better fit.


It's probaly just the young girl with a surfboard image that instantly conjured up "soul surfer" when I saw the cover for "Raw Blue", but I like to believe that it's actually the shared feeling of danger that did. 



















I think "Pacte" and "Lincoln" are self-explaining.

Thursday, October 20, 2011

Art comparison

















Paper Moon vs. Dreiviertelmond (Three quarter moon), 'nuff said.

















If horror movies are anything to go by, then medical treatment is the generations number one fear. Zombies may fare better at the box office, but it's doctors that really put the scare in us.

Sunday, September 18, 2011

Vamps not Vamps

















So Vamps (movie) has bugger all to do with Vamps (comic)?
You could've fooled me there...

Wednesday, August 24, 2011

What's on their wall...

Back with an old favoured: Q

Larry Franco B-Movie cheesyness in its finest, IMO, starring among others Michael Moriarty as small time crook Jimmy Quinn and Candy Clark as his love interest Joan, whose rooms we see in these pictures.
The lady shows a varied taste in movies, or at least in movie art:











From the 1928 movie Sadie Thompson, starring Gloria Swanson




to the very artsy, highly erotic French version of Taste the Blood of Dracula, starring Chris Lee in the role of the famous non sparkling vampire count.

Wednesday, June 1, 2011

Art comparison

















A recurring theme in horror posters...

















Did I mention my 80's mindset...

















Comedy posters, they make me want to ask:
Is blue more funny than other colours?

Thursday, May 26, 2011

Shark Night 3D



There's a few things you just can't go wrong with if you want to raise my interest, girls and sharks for example, throw them together and you've got a winner, in this case the first of these new fangled 3D movies that I actually feel a desire to watch.
Most likely with my eyes hidden behind my hand.

Did I ever mention that I have a mortal fear of Sharks?
No really, you can't even get me to jump in a lake...

Tuesday, May 10, 2011

Art comparison

















Not to say anything, just a peek at how my mind works.

















I am bound up in an 80's frame of mind, just saying, not that I really hoped Dylan Dog to be. (Yeah, right!)

















I could give you the whole bull about water symbolism here (not really, never understood that part) but for me the formula is simply called "Sex sells", and boy does it sure work.
(Speaking of which, have some Kylie)

Thursday, April 21, 2011

Picture perfect moment(s)

I’m pretty sure that it is no secret that I like the remake of The Wolf Man,
I would even go as far and say I’m a positive fan of it.
Which doesn’t stop me from niggling mind you:

The first time I saw Sir Hopkins transformation sequence I felt awfully reminded of Michael J.’s dad's in Teen Wolf, probably not the effect they were aiming for.
*j/k*

But seriously, some of the cheaper looking CGI FX tipped the balance and prevent the movie from becoming a true classic, more pathos and a few more memorable lines wouldn’t have hurt either. More choice pieces like Hugo Weavings:
“Rules Mrs Kirk. They ‘re all that keeps us from a dog-eat-dog world, you know.”
(Great delivery there)

But there's a lot to love about this movie, from steady paced action to brooding atmosphere and a great cast. Like Sir Anthony Hopkins taking on the role formerly played by Claude Rains, and not making a bad figure doing so. Then there's Emily Blunt who can easily compete with other female leads in the field, like Yvonne Romain or Nurse Alex, Jenny Agutter; and truly, I think nobody suffers more beautiful these days.

Not to forget the movies fun and action packed homage to the legendary Piccadilly carnage scene from An American Werewolf in London.



Speaking of which, it sure is not necessary to mention that Rick Baker worked on the creature FX for both Wolf Man and American Werewolf. I would like to insert here though that he also worked on the vastly underrated Wolf; and seeing how the formidable make-up FX he used there are clearly a tip to the hat towards the Universal Classics, I feel that Rick came finally full circle with his work on Wolf Man*.


*Please do not take this as me saying that we are going in circles in this genre, nothing could be further from my mind!

Wednesday, February 16, 2011

Art comparison

















There’s probably a shortage of poses going round, but I prefer to entertain the idea that in a shocking twist-end we learn that Liam Neeson’s Unknown character turns out to be Alex Pettyfer’s father: “I am your father, number four!”

















I'm a fan of the first Sisterhood movie, liked it better than I did the book (which is not meant to say that the novel was pants *giggle*, I just had higher expectations of it after watching the movie).

















It might be just me, but I like how here one poster mirrors the other as if they came from the same place of imagination. Being both tied to the werewolf myth they even might. Now, if only the idea of "twilight" director Hardwicke at the helm didn't curb my enthusiasm for Red Riding Hood so much...
BTW: Make sure to check out the spanish version of Red Riding Hood I added to one of my older posts.

Monday, January 17, 2011

Art comparison

















Every single time I see this poster for Black Swan I feel like looking at a V for Vendetta escapee. Must be because Natalie Portman plays a lead in both, surely.

















De vrais mensonges and Io sono l'amore are fine examples of implementing titles, how to and how not to.

















I guess the more elderly among us will remember here Sierra's Gabriel Knight.
But isn't it amazing how popular shopping bags are within horror?
I'm tempted to say that they are the ultimate symbol for the fear of the unknown in today's society; who knows what evil lurks in the shopping bags of men?

Wednesday, December 1, 2010

What's on their wall...


The choice of posters nurse Alex pinned at her wall in An American Werewolf in London, shows a unfortunate pre-disposition to the great Romance classics, none of which held a happy-end for their main cast. It's her own faith foreshadowed there on the wall, a true mene tekel.